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The development of music in the 20th century was characterized by the shift from modernism in the early 20th century to postmodernism in the late 20th century – early 21st century. In this respect, the development of music is similar to the development of painting, which also shifted from modernism in the early 20th toward postmodernism today. In fact, the shift toward postmodernism has become the mainstream trend in the development of the contemporary art, whereas roots of this shift can be traced in the early 20th century modernism.
On analyzing the development of music and painting, it is worth mentioning the fact that the early 20th century modernist experiments changed the traditional music and painting. For instance, the emergence of jazz and ragtime in music and cubism and Dadaism in the early 20th century art marked the rise of modernism (Harrison and Woods, 2003). The modernist music and painting were characterized by the shift to the mass audience but, at the same time, modernist music and painting challenged conventional norms. Steadily, music and painting shifted toward the mass culture, which though resulted eventually in the rise of postmodernism in the late 20th century music and painting.
As a result, today, music and painting tend to postmodernism which originates from modernism of the early 20th century art. The contemporary music and painting tend to raise new issues which mirror the philosophical views of artists. On the other hand, the consumerist culture and the orientation of music and painting on the mass audience devaluates the traditional attitude to art as the subject of admiration of connoisseurs and developers of the concept of art for the art’s sake. Therefore, the postmodernism is a natural response of contemporary music and painting to the modern cultural development.

 
References
Harrison, C. and Woods, P. (2003). Art in Theory: 1900-2000. New York: Blackwell Publishing.